"6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera" by Anton Rubinstein, Roberte Mamou was released on August 23, 2019. The duration of 6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky, Rubinstein & Glinka: Russian Seasons". In this album, this song's track order is #1. In terms of popularity, 6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Soirées à Saint-Petersbourg, Op. 44 No. 3: Preghiera by Anton Rubinstein, Roberte Mamou having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Romance, S169/R66a | Franz Liszt, Jenő Jandó | G Major | 0 | 9B | 65 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Piano Concerto No. 4 in D Minor, Op. 70: III. Allegro | Anton Rubinstein, Marc-André Hamelin, Michael Stern, BBC Scottish Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Mari Kodama | B♭ Major | 0 | 6B | 170 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
16 Waltzes, Op. 39: No. 15 in A Flat Major | Johannes Brahms, Fabian Müller | A♭ Major | 0 | 4B | 69 BPM | ||
Lieder ohne Worte, Op. 19b: IV. Moderato in A Major | Felix Mendelssohn, Roberte Mamou | A Major | 0 | 11B | 78 BPM | ||
Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM |
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