- BPM
- 154
- Key
- F Major
- Camelot
- 7B
Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast - Viktor Ullman, Christiane Oelze, Iris Vermillion, Herbert Lippert, Franz Mazura, Gewandhausorchester, Lothar Zagrosek Information
- Acousticness
- 95%
- Danceability
- 12%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 40%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -35.958 dB
Summary
"Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast" by Viktor Ullman, Christiane Oelze, Iris Vermillion, Herbert Lippert, Franz Mazura, Gewandhausorchester, Lothar Zagrosek was released on November 7, 1994. The duration of Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Ullmann: Der Kaiser von Atlantis; Hölderlin-Lieder". In this album, this song's track order is #20. Based on our statistics, Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast BPM
With Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast by Viktor Ullman, Christiane Oelze, Iris Vermillion, Herbert Lippert, Franz Mazura, Gewandhausorchester, Lothar Zagrosek having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
Der Kaiser von Atlantis: Komm, Tod, du unser werter Gast Key
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vier Lieder, Op. 2: II. Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt) | Arnold Schoenberg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | |
 | Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | |
 | Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | |
 | Kapitel 17 - Folge 42: Der Sandmann | Gruselkabinett, Marius Claren, Tanya Kahana, Marcel Colle, Ernst Theodor Amadeus Hoffmann | C Major | 6 | 8B | 120 BPM | |
 | Whirld (2018) for violin and orchestra: I. Nigredo – | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | C Major | 0 | 8B | 63 BPM | |
 | El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | |
 | Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | |
 | 6 Gedichte, Op. 14: No. 2, So fügt sich Blüt'- an Blütezeit | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | B♭ Minor | 1 | 3A | 121 BPM | |
 | Die Fledermaus: Act I: Taubchen, das entflattert ist (Adele, Alfred) | Johann Strauss II, Chen Reiss, Rainer Trost, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7368547916412354
End: 0.7404270172119141