"Rutter: Requiem: Pie Jesu" by John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Edward Saklatvala, City of London Sinfonia was released on March 1, 1998. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rutter: Requiem". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Rutter: Requiem: Pie Jesu is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rutter: Requiem: Pie Jesu by John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, Edward Saklatvala, City of London Sinfonia having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jubilate Deo omnis terra, Ch.136 (Arr. for Choir & Chamber Orchestra) | Giovanni Gabrieli, The Cambridge Singers, La Nuova Musica, John Rutter | B Major | 1 | 1B | 67 BPM | ||
My song is love unknown (Love Unknown) | John Ireland, Choir of King's College, Cambridge, Stephen Cleobury, Thomas Williamson | E♭ Major | 1 | 5B | 98 BPM | ||
Miserere | Gregorio Allegri, Sistine Chapel Choir, Massimo Palombella | G Minor | 0 | 6A | 127 BPM | ||
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Edward Higginbottom, Capricorn Ensemble, Choir of New College, Oxford | G Major | 1 | 9B | 76 BPM | ||
Holy Is the True Light | William Henry Harris, The Cambridge Singers, John Rutter | D Minor | 1 | 7A | 72 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
My love dwelt in a Northern land, Op. 18, No. 3 | Edward Elgar, The Cambridge Singers, John Rutter | A Minor | 1 | 8A | 136 BPM | ||
Materna Requiem: 2. Kyrie | Rebecca Dale, Louise Alder, Jonathan Aasgaard, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | B Minor | 0 | 10A | 121 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM |
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