"Bachianas Brasileiras No. 5, W389" by Heitor Villa-Lobos, Jian Wang, Göran Söllscher was released on January 1, 2007. With this song being about 5 minutes long, at 4:57, "Bachianas Brasileiras No. 5, W389" by Heitor Villa-Lobos, Jian Wang, Göran Söllscher is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Reverie". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Bachianas Brasileiras No. 5, W389's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bachianas Brasileiras No. 5, W389 by Heitor Villa-Lobos, Jian Wang, Göran Söllscher having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
Cello Sonata in F Major, Op.6: II. Andante ma non troppo | Richard Strauss, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 171 BPM | ||
Bachianas Brasileiras No. 5, W389: I. Ária (Arr. By Asya Fateyeva) | Heitor Villa-Lobos, Asya Fateyeva, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | D Minor | 2 | 7A | 172 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: V. Passacaille | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 112 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Chansons et danses: Danse | Antonio Ruiz Pipó, Jurgen Rost | D Major | 1 | 10B | 128 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Passacaglia | Silvius Leopold Weiss, Miloš Karadaglić | D Major | 1 | 10B | 86 BPM |
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