Handel & Haydn Society's 'Mass in C Minor, K 427: Benedictus' came out on September 1, 2010. Since Mass in C Minor, K 427: Benedictus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Handel & Haydn Society's "Mozart: Mass in C minor, K 427" album is number 14 out of 14. In terms of popularity, Mass in C Minor, K 427: Benedictus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K 427: Benedictus by Handel & Haydn Society to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gott soll allein mein Herze haben, Cantata BWV 169: 7. Choral: "Du süsse Liebe" | Johann Sebastian Bach, Andreas Scholl, Junko Takamaya, Michael Feyfar, Raitis Grigalis, Kammerorchester Basel, Julia Schröder | A♭ Major | 2 | 4B | 117 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
Premier livre de pieces de clavecin - Troisième Suite: Le coucou | Louis-Claude Daquin, George Malcolm | E Minor | 3 | 9A | 122 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | B♭ Minor | 0 | 3A | 79 BPM |
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