Sigurd Bjorling, Set Svanholm's 'Otello: La Vedetta Del Porto' came out on November 16, 2009. With Otello: La Vedetta Del Porto being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Otello Stockholm 1953/54". In this album, this song's track order is #22. In terms of popularity, Otello: La Vedetta Del Porto is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Otello: La Vedetta Del Porto by Sigurd Bjorling, Set Svanholm having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act III, Scene 2: Bacchanale | Camille Saint-Saëns, Myung-Whun Chung, Orchestre de l'Opéra National de Paris | B Major | 2 | 1B | 175 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Mild Cradle | Bonn Classical Philharmonic | D Minor | 0 | 7A | 138 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Tchaikovsky: Swan Lake Suite, Op. 20a: V. Andante con moto (arr. Mikhail Pletnev) | Pyotr Ilyich Tchaikovsky, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Arnljot, Act II: Vill du strid, främling, så stöt till! | Wilhelm Peterson-Berger, Sigurd Bjorling, Sven D'Ailly, Helga Gorlin, Kungliga Hovkapellet, Nils Grevillius | F Major | 1 | 7B | 58 BPM | ||
Otello: Inaffia L´ugola | Sigurd Bjorling, Arne Ohlson | A Major | 3 | 11B | 124 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: First he danc’d a solemn measure | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | B♭ Minor | 2 | 3A | 63 BPM |
Section: 0.7572596073150635
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