"Dutilleux: Cello Concerto (Tout un monde lointain): I. Enigma [Très libre et flexible]" by Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris was released on 1969. Since Dutilleux: Cello Concerto (Tout un monde lointain): I. Enigma [Très libre et flexible] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Dutilleux: Tout un monde lointain - Lutoslawski: Cello Concerto - Jolivet: Cello Concerto No. 2 by Mstislav Rostropovich. Dutilleux: Cello Concerto (Tout un monde lointain): I. Enigma [Très libre et flexible] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dutilleux: Cello Concerto (Tout un monde lointain): I. Enigma [Très libre et flexible] by Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyrische Suite: I. Allegretto giovale | Alban Berg, Jean-Guihen Queyras, Ensemble Resonanz | D♭ Major | 3 | 3B | 95 BPM | ||
Flute Concerto, FS 119: II. Allegretto, un poco | Carl Nielsen, Adam Walker, Bergen Philharmonic Orchestra, Edward Gardner | E Major | 1 | 12B | 68 BPM | ||
Turangalîla Symphonie: 3. Turangalîla I | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | D Major | 2 | 10B | 176 BPM | ||
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: I. Thema I | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | F Major | 0 | 7B | 88 BPM | ||
carino es hola de un poco de ruido | mantekito loko | D Minor | 1 | 7A | 120 BPM | ||
Dutilleux: 3 Préludes pour piano: I. D'ombre et de silence | Henri Dutilleux, Anne Queffélec | D♭ Major | 0 | 3B | 137 BPM | ||
Ma mère l'oye, ballet, M. 62: 2. Pavane de la Belle au bois dormant.Lent - Allegro - Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E Minor | 0 | 9A | 63 BPM | ||
Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | ||
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
Ravel: Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | D♭ Minor | 1 | 12A | 74 BPM |
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