"Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen"" by Ama Deus Ensemble was released on July 25, 2008. The duration of Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Beethoven: Symphony No. 9 & Die Ruinen von Athen by Ama Deus Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Ruinen von Athen, Op. 113 - "The Ruins of Athens": Chorus: "Wir tragen" by Ama Deus Ensemble is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in A minor, Op. 6, No. 4: 4. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A♭ Minor | 2 | 1A | 81 BPM | ||
Divertimento for Harp and String Quartet: V. Barn Dance | Milton Barnes, Erica Goodman, Ama Deus Ensemble | C Major | 1 | 8B | 120 BPM | ||
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Bourree | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 117 BPM | ||
Fantasia | Marjan Mozetich, Ama Deus Ensemble | D Minor | 1 | 7A | 190 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Albinoni: Oboe Concerto in B-Flat Major, Op. 9 No. 11: II. Adagio | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 105 BPM | ||
Alcina, HWV 34 / Act II: "Verdi prati" (Arr. for Oboe d'amore, Strings and Basso Continuo) | George Frideric Handel, Albrecht Mayer, Jakub Haufa, Monika Razynska, Sinfonia Varsovia | D Minor | 2 | 7A | 176 BPM |
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