Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Oboe Sonata in G minor / sol mineur / g-moll: IV. Allegro" available on October 21, 2010. The duration of Oboe Sonata in G minor / sol mineur / g-moll: IV. Allegro is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Oboe Sonata in G minor / sol mineur / g-moll: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #23. In terms of popularity, Oboe Sonata in G minor / sol mineur / g-moll: IV. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Oboe Sonata in G minor / sol mineur / g-moll: IV. Allegro by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 0 | 3B | 74 BPM | ||
Concerto grosso No. 9 in F Major, Op. 6: II. Allemanda (Allegro) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Yoko Kawakubo | E Major | 3 | 12B | 114 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera | Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort | G Major | 3 | 9B | 132 BPM | ||
12 Concertos, Op. 3 "L'estro armonico", Concerto No. 10 in B Minor for 4 Violins and Cello (Arr. P. Romero for 4 Guitars): IIa. Largo | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero, San Antonio Symphony Orchestra, Victor Alessandro | E Major | 1 | 12B | 95 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
Suite No. 3 in D Major, BWV 1068: Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II alternativement | Johann Sebastian Bach, Freiburger Barockorchester | D Major | 2 | 10B | 97 BPM | ||
Sinfonia in C major: III. Allegrissimo | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 3 | 2B | 77 BPM |
Section: 0.6986055374145508
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