"Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)" by Kari Lövaas, Berliner Symphoniker was released on December 23, 2008. The duration of Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kari Lövaas's "Kari Lövaas sings Grieg, Strauss and Sibelius" album is number 2 out of 19. Based on our statistics, Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Poems by Henrik Ibsen, Op. 25: II. En Svane (A Swan) by Kari Lövaas, Berliner Symphoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.17 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
Suite bergamasque: III. Clair de lune (Arr. A. Caplet for orchestra) | Claude Debussy, Leipzig Radio Symphony Orchestra, Max Pommer | B♭ Major | 2 | 6B | 106 BPM | ||
Symphony No. 8 'Unfinished' (1996 - Remaster): I. Allegro moderato (opening) | Herbert von Karajan, Berliner Philharmoniker | G Major | 0 | 9B | 98 BPM | ||
War Requiem Op. 66: Domine Jesu Christe | Benjamin Britten, MDR Leipzig Radio Chorus, Dresdner Philharmonie, Herbert Kegel, Dresden Boys Choir, Theo Adam, Kari Lövaas, Anthony Roden | D Minor | 1 | 7A | 59 BPM | ||
Die Feen, WWV 32, Act I: Act I : Recitative - Duet (Ada, Arindal) | Richard Wagner, Roland Bracht, Kurt Moll, Cheryl Studer, Roland Hermann, Bavarian Radio Symphony Orchestra, John Alexander, Karl Helm, June Anderson, Jan-Hendrick Rootering, Bavarian Radio Chorus, Norbert Orth, Friedrich Lenz, Linda Gray, Kari Lövaas, Krisztina Laki, Wolfgang Sawallisch | A Major | 2 | 11B | 79 BPM | ||
String Quartet No.1 in D major, Op. 11 : II. Andante cantabile | New Philharmonic Quartet | B♭ Major | 0 | 6B | 88 BPM | ||
Mass No. 6 In E Flat Major, D. 950 - Agnus Dei | Spandauer Kantorei Berlin, Bruce Abel, Karl-Ernst Merker, Sylvia Anderson, Martin Behrmann, Richard Greager, Kari Lövaas, Bach Collegium Berlin | E♭ Major | 1 | 5B | 83 BPM | ||
War Requiem Op. 66: Lacrimosa | Benjamin Britten, MDR Leipzig Radio Chorus, Dresdner Philharmonie, Herbert Kegel, Dresden Boys Choir, Theo Adam, Kari Lövaas, Anthony Roden | D Minor | 1 | 7A | 59 BPM | ||
Sonata in A Major for Violin and Piano, FWV 8: III. Recitativo - Fantasia (Ben moderato - Largamente - Molto vivace) | César Franck, Augustin Dumay, Maria João Pires | A Major | 2 | 11B | 73 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Entr'acte No. 3 - Andantino | Franz Schubert, Wiener Philharmoniker, Karl Münchinger | C Major | 2 | 8B | 122 BPM |
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