George Frideric Handel, PianoBasso made "Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano & Bass)" available on April 26, 2019. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Tranquillo II". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano & Bass) is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano & Bass) by George Frideric Handel, PianoBasso having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis and Galatea, HWV 49a, Act II: Would You Gain The Tender Creature (Coridon) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Simon Berridge | A Major | 2 | 11B | 129 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Ottone: Aria: Bel labro formato per farmi beato | George Frideric Handel, Nicola Francesco Haym, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Minor | 3 | 12A | 82 BPM | ||
4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 174 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | B Major | 0 | 1B | 79 BPM | ||
Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 75 BPM |
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