On July 30, 2022, the song "Jesus schläft, was soll ich hoffen?, Cantata BWV 81: III. "Die schäumenden Wellen von Belials Bächen"" was released by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter. The duration of Jesus schläft, was soll ich hoffen?, Cantata BWV 81: III. "Die schäumenden Wellen von Belials Bächen" is about 3 minutes long, at 3:15. Based on our data, "Jesus schläft, was soll ich hoffen?, Cantata BWV 81: III. "Die schäumenden Wellen von Belials Bächen"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 140 out of 253 in BBQ Night with Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Jesus schläft, was soll ich hoffen?, Cantata BWV 81: III. "Die schäumenden Wellen von Belials Bächen" is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jesus schläft, was soll ich hoffen?, Cantata BWV 81: III. "Die schäumenden Wellen von Belials Bächen" by Johann Sebastian Bach, Peter Schreier, Münchener Bach-Orchester, Karl Richter is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |
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