"Symphony, Op. 21: II. Variationen" by Anton Webern, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1996. The duration of Symphony, Op. 21: II. Variationen is about 3 minutes long, at 3:08. Based on our data, "Symphony, Op. 21: II. Variationen" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Webern: Symphony Op.21 by Anton Webern, Christiane Oelze, Gerald Finley, Berliner Philharmoniker, Pierre Boulez, BBC Singers. The song's track number on the album is #10 out of 21 tracks. In terms of popularity, Symphony, Op. 21: II. Variationen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphony, Op. 21: II. Variationen by Anton Webern, Berliner Philharmoniker, Pierre Boulez has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Symphony, Op. 21: II. Variationen being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Violin Concerto, Op. 30: Ia. Cadenza | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': IV. Con moto (Adagio). Più mosso | Leoš Janáček, Jerusalem Quartet | E♭ Minor | 2 | 2A | 82 BPM | ||
Two Pieces for Cello and Piano (1899 Version, Ed. Piatigorsky): 1. Langsam - Live at Schloss Elmau, Krün / 2016 | Anton Webern, Mischa Maisky, Lily Maisky | G Major | 0 | 9B | 93 BPM | ||
Violin Concerto, Op. 30: If. Studio V - Per gli armonici. Andante | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 126 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Lamentate: Consolante | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 80 BPM | ||
Piano Trio No.2, Op.67: 4. Allegretto - Adagio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | F♯ Minor | 0 | 11A | 84 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM |
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