"Suite in E Minor: V. Les rappel des Oiseaux" by Jean-Philippe Rameau, Sarah O'Brien was released on August 5, 2022. The duration of Suite in E Minor: V. Les rappel des Oiseaux is about 3 minutes long, at 3:05. Based on our data, "Suite in E Minor: V. Les rappel des Oiseaux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sarah O'Brien's "Impromptu" album is number 5 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite in E Minor: V. Les rappel des Oiseaux is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in E Minor: V. Les rappel des Oiseaux by Jean-Philippe Rameau, Sarah O'Brien to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dardanus / Act 2: "Je la vois" | Jean-Philippe Rameau, John Mark Ainsley, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | B Major | 0 | 1B | 55 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | ||
Waltz No. 14 in E Minor, KK IVa (Version for Harp in E Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Major | 1 | 4B | 132 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Plínio Fernandes, Sheku Kanneh-Mason | E Minor | 2 | 9A | 105 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 23 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM |
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