"Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi" by Jed Wentz, Daniel Reuss, La Licenza, Claudia Patacca, Claron Mc Fadden, Arts Music Recording, Rotterdam, Francine Van Der Heyden, Emilio, Musica ad Rhenum, Costanza, Terence Mierau, Fortuna, Publio, Cappella Amsterdam, Marcel Reijans, Wolfgang Amadeus Mozart was released on March 28, 2007. The duration of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jed Wentz, Daniel Reuss's "Mozart Edition Volume 17" album is number 2 out of 25. Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Il Sogno Di Scipione, Azione Teatrale, Kv 126: Recitativo Fortuna, Constanza, Scipione: Vieni E Siegui Miei Passi by Jed Wentz, Daniel Reuss, La Licenza, Claudia Patacca, Claron Mc Fadden, Arts Music Recording, Rotterdam, Francine Van Der Heyden, Emilio, Musica ad Rhenum, Costanza, Terence Mierau, Fortuna, Publio, Cappella Amsterdam, Marcel Reijans, Wolfgang Amadeus Mozart to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM | ||
Weichet fort aus meiner Seele, TVWV 1:1537: I. 1. Nr. 1 Chor »Weichet fort aus meiner Seele« | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | E Major | 1 | 12B | 110 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Credo in unum Deum. Allegro ma non troppo | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Der Frühling: "O wie lieblich ist der Anblick" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, Marlis Petersen, Werner Güra, Dietrich Henschel | B Minor | 2 | 10A | 72 BPM | ||
Missa solemnis in D major, Op. 123: V. Agnus Dei: Agnus Dei. Adagio | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Les Danaïdes, Acte I Scène 1: Air de danse | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Symphony No.92 In G Major Hob.I92: II. Adagio | Joseph Haydn, Maxwell Philharmonic Orchestra | D Major | 0 | 10B | 67 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.4: Mit Staunen sieht das Wunderwerk [the marv'lous work beholds amaz'd [Gabriel] | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Major | 2 | 8B | 114 BPM |
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