"L'Allegro, il Penseroso ed il Moderato, HWV 55: Part II, No. 31: Accompagnato - Me, when the Sun begins to fling (Il Penseroso: Soprano)" by George Frideric Handel, Linda Perillo, Barbara Hannigan, Knut Schoch, Stephan MacLeod, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini was released on May 1, 2005. With L'Allegro, il Penseroso ed il Moderato, HWV 55: Part II, No. 31: Accompagnato - Me, when the Sun begins to fling (Il Penseroso: Soprano) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel's "Handel: Allegro, Il Penseroso Ed Il Moderato (L')" album is number 8 out of 49. L'Allegro, il Penseroso ed il Moderato, HWV 55: Part II, No. 31: Accompagnato - Me, when the Sun begins to fling (Il Penseroso: Soprano) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'Allegro, il Penseroso ed il Moderato, HWV 55: Part II, No. 31: Accompagnato - Me, when the Sun begins to fling (Il Penseroso: Soprano) by George Frideric Handel, Linda Perillo, Barbara Hannigan, Knut Schoch, Stephan MacLeod, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini to be Grave (very slow) because the track has a tempo of 30 BPM, a half-time of 15BPM, and a double-time of 60 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: III. Largo, e piano | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Minor | 4 | 1A | 75 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | C Minor | 1 | 5A | 83 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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