"Scenes from the Poet's Dreams: No. 2, Summer Shimmers Across the Glass of Green Ponds" by Jennifer Higdon, Gary Graffman, The Lark Quartet was released on February 12, 2013. Since Scenes from the Poet's Dreams: No. 2, Summer Shimmers Across the Glass of Green Ponds is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in An Exaltation of Larks by Jennifer Higdon, The Lark Quartet. In terms of popularity, Scenes from the Poet's Dreams: No. 2, Summer Shimmers Across the Glass of Green Ponds is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scenes from the Poet's Dreams: No. 2, Summer Shimmers Across the Glass of Green Ponds by Jennifer Higdon, Gary Graffman, The Lark Quartet is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cold Mountain, Act II: Act II Scene 5: Your baby sick? (Inman, Sara) | Jennifer Higdon, Basler Chelsea, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya | C Major | 1 | 8B | 148 BPM | ||
Études, Book 1: No. 1, Désordre | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 5 | 3B | 114 BPM | ||
I'll bid my heart be still | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 0 | 7B | 63 BPM | ||
Suite for Viola & Small Orchestra: III. Christmas Dance | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 1 | 8B | 89 BPM | ||
Dance Card: No. 5, Machina Rockus | Jennifer Higdon, Chicago Sinfonietta, Mei-Ann Chen | B♭ Minor | 4 | 3A | 144 BPM | ||
String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': III. Con moto. Vivo. Andante | Leoš Janáček, Jerusalem Quartet | F♯ Major | 2 | 2B | 129 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM |
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