- BPM
- 169
- Key
- D Major
- Camelot
- 10B
Habanera - Jessye Norman Information
- Acousticness
- 92%
- Danceability
- 36%
- Energy
- 23%
- Instrumentalness
- 4%
- Liveness
- 72%
- Loudness
- 75%
- Speechiness
- 9%
- Valence
- 34%
- Popularity
- 3%
- Loudness
- -15.053 dB
Summary
Jessye Norman's 'Habanera' came out on September 24, 2009. Habanera is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Jessye Norman's "Jessye Norman - Roots: My Life, My Song" album is number 5 out of 26. On top of that, Germany appears to be the country where this track was created. The popularity of Habanera is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Habanera BPM
We consider the tempo marking of Habanera by Jessye Norman to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
Habanera Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Jessye Norman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 1 | 5B | 80 BPM | |
 | Bluebeard's Castle, Sz. 48 (Op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" | Béla Bartók, Jessye Norman, László Polgár, Chicago Symphony Orchestra, Pierre Boulez | E♭ Major | 1 | 5B | 86 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | |
 | Erwartung, Op. 17: Hier hinein? | Arnold Schoenberg, Jessye Norman, Metropolitan Opera Orchestra, James Levine | C Major | 0 | 8B | 81 BPM | |
 | Oedipus Rex / Actus secundus: Nonn' erubescite, reges | Igor Stravinsky, Jessye Norman, Saito Kinen Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 105 BPM | |
 | A Child of our Time / Part 3: "Deep River" | Michael Tippett, Jessye Norman, Dame Janet Baker, Richard Cassilly, John Shirley-Quirk, BBC Choral Society, BBC Singers, BBC Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 70 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | |
 | There is a balm in Gilead | Anonymous, Jessye Norman, Dalton Baldwin | A♭ Major | 0 | 4B | 86 BPM | |
 | Die Walküre - Erster Tag des Bühnenfestspiels "Der Ring des Nibelungen" / Erster Aufzug: Die so leidig Los dir beschied | Richard Wagner, Gary Lakes, Jessye Norman, Kurt Moll, Metropolitan Opera Orchestra, James Levine | A♭ Minor | 1 | 1A | 134 BPM | |
 | Wie Melodien zieht es mir, Op. 105, No. 1 | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM |
- ISRC
- DEDN50900464
- Label
- L-M Records/RCA Records
Section: 0.6979122161865234
End: 0.7019436359405518