"Book One: Date abbiento al mio dolore (Donaudy)" by Roberto Guarino & Dennis Helmrich was released on January 1, 1996. With Book One: Date abbiento al mio dolore (Donaudy) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Stefano Donaudy: Amor mi fa cantare". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of Book One: Date abbiento al mio dolore (Donaudy) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Book One: Date abbiento al mio dolore (Donaudy) by Roberto Guarino & Dennis Helmrich having a BPM of 234 with a half-time of 117 BPM and a double-time of 468 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
Moravské dvojzpěvy, 2. řada, Op. 29: V. Slavíkovský polečko malý | Antonín Dvořák, Magdaléna Hajóssyová, Marta Benackova, Marián Lapšanský | A Minor | 0 | 8A | 101 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
The Dream of Gerontius, Op. 38: No. 15, "Low-born Clods of Brute Earth" | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | E♭ Minor | 0 | 2A | 76 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig | C Major | 1 | 8B | 107 BPM |
Section: 0.6780657768249512
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