Eric Schmidt, Jonathan Rosenberg made "Kapitel 36.3 & Kapitel 37.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #48 out of 137 tracks. In terms of popularity, Kapitel 36.3 & Kapitel 37.1 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 36.3 & Kapitel 37.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 36.3 & Kapitel 37.1 - Wie Google tickt - How Google Works being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Annelies (chamber version): XI. Passing of time | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | D Minor | 1 | 7A | 63 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Kapitel 87.4 & Kapitel 88.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 3 | 10A | 109 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VIII. Gloria Patri | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Christus am Ölberge, Op. 85: 5a. "Hier ist er, der Verbannte" | Ludwig van Beethoven, Wiener Symphoniker, Bernhard Klee, Wiener Singverein, Helmut Froschauer | D Major | 4 | 10B | 126 BPM |
Section: 0.7791018486022949
End: 0.7829525470733643