"Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction" by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt was released on August 6, 1999. With Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Strauss - Also Sprach Zarathustra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Ouvertuere | Vienna Volksoper Orchestra, Alfred Scholz | D Major | 1 | 10B | 90 BPM | ||
Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento | Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult | E Major | 4 | 12B | 79 BPM | ||
Symphony No. 5 in C Minor, Op. 67 "Fate": Allegro con brio | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | C Minor | 3 | 5A | 94 BPM | ||
Sinfonische Dichtung für großes Orchester, Op. 30: No. 1, Einleitung | Orquesta Sinfonica de Londres, Walter Kempe | F Major | 4 | 7B | 78 BPM | ||
Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
Elektra: Viii. Die Götter | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Gunilla Söderström, Carina Morling, Eva Pilat, Royal Swedish Opera Orchestra, Siegfried Köhler | F♯ Major | 1 | 2B | 88 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, Academy Of London, Anton Nel, Keith Snell, Robert Bailey, Richard Stamp | G Major | 0 | 9B | 175 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM | ||
The Planets Suite, Op. 32: I. Mars | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 4 | 4B | 77 BPM |
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