Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien's 'Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth' came out on December 26, 2020. Since Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 94 out of 125 in Au revoir 2020! by Johann Strauss II, Ludwig van Beethoven, Antonio Vivaldi. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. The popularity of Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Frühlingsstimmen, Op. 410 - Arr. Gerald Wirth by Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Sadko: Song of the Indian Guest | Nikolai Rimsky-Korsakov, Vadim Lynkovsky, Maksim Paster, Anton Grigoriev, Bolshoi Theatre Chorus, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 107 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
Merry Widow Waltz | Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley | F Major | 4 | 7B | 79 BPM | ||
Sabre Dance | Philharmonic Wind Orchestra, Marc Reift Orchestra | D Minor | 10 | 7A | 103 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Smile - Love Theme and Closing Title | Charlie Chaplin, Alfred Newman | D Minor | 1 | 7A | 137 BPM | ||
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM |
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