Vladimir Fedoseyev, Ludwig van Beethoven, Moscow RTV Symphony Orchestra's '"Symphony No. 5 in C minor, Op. 67: I. Allegro con brio' came out on January 1, 2009. Since "Symphony No. 5 in C minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Beethoven: Symphonies Nos. 3 & 5 by Ludwig van Beethoven, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra. In terms of popularity, "Symphony No. 5 in C minor, Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Symphony No. 5 in C minor, Op. 67: I. Allegro con brio by Vladimir Fedoseyev, Ludwig van Beethoven, Moscow RTV Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata quasi una fantasia No. 14 para piano in C-Sharp Minor, Op. 27 No. 2, " Claro de luna " : III. Presto agitato | Wolf Rottmann | D♭ Minor | 4 | 12A | 170 BPM | ||
Marcha Funebre para una Marioneta / Gounod | Charles Gounod, Roberto Prosseda | D Minor | 1 | 7A | 121 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Autumn - Concerto No. 3 in F RV293: Allegro | Notepad Music | F Major | 1 | 7B | 88 BPM | ||
Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 2 | 10A | 121 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Scherzo - Allegro Vivace | Jordi Savall, Ludwig van Beethoven | E Minor | 1 | 9A | 85 BPM | ||
Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM |
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