Claude Balbastre, Olivier Baumont's 'Balbastre: Prélude non mesuré' came out on October 7, 2022. The duration of Balbastre: Prélude non mesuré is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Balbastre: Prélude non mesuré's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Baumont, Antoine Forqueray, Claude Balbastre, François Couperin, Jean-Joseph Cassanéa De Mondonville, Jean-Philippe Rameau's "Maurice-Quentin de La Tour, portraits en musique" album is number 4 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Balbastre: Prélude non mesuré is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Balbastre: Prélude non mesuré by Claude Balbastre, Olivier Baumont to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Keyboard Concerto No. 1 in F Major: I. Allegro | Johann Adolf Hasse, Janos Sebestyen | D Major | 2 | 10B | 66 BPM | ||
Pièces de Clavecin, Livre I: XIII. La Genty | Claude Balbastre, Christophe Rousset | A♭ Major | 5 | 4B | 84 BPM | ||
Violin Sonata No. 1 in D Major, Op. 5: III. Allegro | Arcangelo Corelli, Andrew Manze, Richard Egarr | A♭ Major | 2 | 4B | 137 BPM | ||
6 Sonates meleese de pieces, Op. 2: IV. Sonata in G minor "La Lumagne”: I. Adagio | Michel Blavet, Claudio Ferrarini, Accademia Farnese | D Major | 1 | 10B | 63 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Concerto in D Major for Trumpet, 2 Oboes, Strings and B.C. - MWV 6.32: III. Allegro | Johann Melchior Molter, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 3 | 10B | 122 BPM | ||
Pièces de Clavecin, Livre I: XII. La Suzanne | Claude Balbastre, Christophe Rousset | A♭ Major | 3 | 4B | 132 BPM | ||
Symphonie-Passion - No. 4, Résurrection (Auferstehung) | Handke, Emil | D♭ Major | 2 | 3B | 67 BPM | ||
Recueil d'airs choisis de plusieurs opéras accommodés pour le clavecin: Gavotte graçieuse I & II | Claude Balbastre, Catherine Zimmer | E Major | 3 | 12B | 127 BPM |
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