Slovak Philharmonic, Alfred Scholz's 'Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: I. Adagio cantabile - Vivace assai' came out on 1991. Since Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: I. Adagio cantabile - Vivace assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 1 out of 23. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: I. Adagio cantabile - Vivace assai's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony, " Surprise " , No. 94 in G-Major, Hob.I:94: I. Adagio cantabile - Vivace assai by Slovak Philharmonic, Alfred Scholz to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Concerto Grosso, Op. 6: No. 1 in G Major, HWV 319: IV. Allegro | George Frideric Handel, Oliver von Dohnanyi, Slovak Philharmonic | G Major | 2 | 9B | 125 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Preliudai (Preludes): Preludias: Tranquillo | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | G Minor | 0 | 6A | 70 BPM | ||
The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
6 Lieder ohne Worte, Op. 19: No. 6, Venezianisches Gondellied | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 64 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM |
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