Jean-Joseph Mouret, Wynton Marsalis, Anthony Newman, English Chamber Orchestra made "Rondeau from "Suites de Symphonies, Première suite, Fanfares"" available on 1983. The duration of Rondeau from "Suites de Symphonies, Première suite, Fanfares" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Rondeau from "Suites de Symphonies, Première suite, Fanfares"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "The Essential Wynton Marsalis". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Rondeau from "Suites de Symphonies, Première suite, Fanfares"'s popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Rondeau from "Suites de Symphonies, Première suite, Fanfares" by Jean-Joseph Mouret, Wynton Marsalis, Anthony Newman, English Chamber Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 5, Fughetta. Allegro vivace | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F Major | 1 | 7B | 137 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | A Minor | 2 | 8A | 95 BPM | ||
Bach: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie (Arr. for Trumpet) | Johann Sebastian Bach, Alison Balsom | C Minor | 2 | 5A | 118 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 0 | 10B | 128 BPM | ||
Trumpet Concerto in E-Flat Major, S. 49: I. Allegro con spirito | Johann Nepomuk Hummel, Wynton Marsalis, Raymond Leppard, National Philharmonic Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: II. Andante | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, National Philharmonic Orchestra | A♭ Major | 1 | 4B | 171 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 0 | 11B | 128 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM |
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