Arthur Honegger, Christian Poltéra, Kathryn Stott's 'Cello Sonata, H. 20: III. Presto' came out on October 3, 2007. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Honegger, Christian Poltéra, Tuomas Ollila-Hannikainen's "Honegger: Cello Concerto / Cello Sonata / Cello Sonatina / Sonatina for Violin and Cello" album is number 4 out of 10. Cello Sonata, H. 20: III. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata, H. 20: III. Presto by Arthur Honegger, Christian Poltéra, Kathryn Stott to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Debussy: Nocturnes, CD 98, L. 91: No. 1, Nuages | Claude Debussy, Sir John Barbirolli, Orchestre de Paris | F♯ Major | 1 | 2B | 59 BPM | ||
Le roi David, H 37 (Sung in English), Pt. 1: Pt. 1: Pity Me, Lord! | Arthur Honegger, Stephen Ng, Randall Scarlata, West Chester University Chamber Ensemble, Ryan Kelly | G Major | 1 | 9B | 130 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Concerto for Piano and Orchestra No. 3: II. 02 II. Andante | Walter Kaufmann, Rundfunk-Sinfonieorchester Berlin, David Robert Coleman, Elisaveta Blumina | F Minor | 0 | 4A | 84 BPM | ||
König David: Heereszug | Arthur Honegger, Devid Striesow, Junges Ensemble Berlin, Prometheus Ensemble Berlin, Frank Markowitsch | F Major | 2 | 7B | 85 BPM | ||
Symphony No. 6 "Degli archi": I. Allegro | Gian Francesco Malipiero, Orchestra della Svizzera Italiana, Damian Iorio | A Minor | 3 | 8A | 112 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Cello Concerto No. 2, W516: I. Allegro non troppo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | D Minor | 1 | 7A | 76 BPM |
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