Johann Sebastian Bach, Julian Rachlin, Nobuko Imai, Mischa Maisky made "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for String Trio by Dmitry Sitkovetsky: Var. 3 Canone all'Unisono a 1 Clav." available on June 8, 2021. With Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for String Trio by Dmitry Sitkovetsky: Var. 3 Canone all'Unisono a 1 Clav. being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 47 out of 160 in Bach for the Great Outdoors by Johann Sebastian Bach. In terms of popularity, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for String Trio by Dmitry Sitkovetsky: Var. 3 Canone all'Unisono a 1 Clav. is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for String Trio by Dmitry Sitkovetsky: Var. 3 Canone all'Unisono a 1 Clav. by Johann Sebastian Bach, Julian Rachlin, Nobuko Imai, Mischa Maisky is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Violin Concerto in E-Flat Major, RV 257: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | A Major | 3 | 11B | 138 BPM | ||
Mass in B Minor, BWV 232: Aria. Agnus Dei | Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger | B Minor | 0 | 10A | 81 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Matthäuspassion, BWV 244: Aria: Buss und Reu (Alto) | Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl | F♯ Minor | 1 | 11A | 84 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM |
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