Hermann Prey, Kurt Wöss, Orchester der Philharmonie Bratislava made "Der Vogelfänger bin ich ja" available on November 2, 2007. The duration of Der Vogelfänger bin ich ja is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Der Vogelfänger bin ich ja's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hermann Prey's "Ich sing mein schönstes Lied" album is number 6 out of 18. Der Vogelfänger bin ich ja is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Der Vogelfänger bin ich ja by Hermann Prey, Kurt Wöss, Orchester der Philharmonie Bratislava to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Wanderer an den Mond, D.870, op.80, no.1 | Franz Schubert, Hermann Prey, Leonard Hokanson | E Major | 1 | 12B | 166 BPM | ||
Strauss Jr., J.: Der Zigeunerbaron, Act 1 Scene 2: No. 2, Entrée - Couplets, "Als flotter Geist, doch früh verwaist" (Barinkay) | Johann Strauss II, Hermann Prey, Chor der Bayerischen Staatsoper München, Symphonieorchester Graunke, Franz Allers | F Major | 3 | 7B | 90 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM | ||
The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Königskinder: Verdorben! Gestorben! | Hermann Prey | E♭ Major | 3 | 5B | 57 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Capriccio, Op.85, TrV 279 / 1. Szene: Bezaubernd ist sie heute wieder | Richard Strauss, Hermann Prey, Peter Schreier, Bavarian Radio Symphony Orchestra, Karl Böhm | E♭ Major | 3 | 5B | 100 BPM | ||
La traviata, Act II: Di Provenza il mar | Giuseppe Verdi, Hermann Prey, Munich Radio Orchestra, Heinz Fricke | D♭ Major | 2 | 3B | 71 BPM |
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