Stefano Landi, L'Arpeggiata, Christina Pluhar's 'Homo fugit velut umbra (Passacaglia della Vita)' came out on 2001. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stefano Landi, L'Arpeggiata, Christina Pluhar's "Landi: Homo fugit velut umbra..." album is number 1 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Homo fugit velut umbra (Passacaglia della Vita) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Homo fugit velut umbra (Passacaglia della Vita) by Stefano Landi, L'Arpeggiata, Christina Pluhar to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ziani / Arr. Pluhar: Aure voi che sussurrate | Pietro Andrea Ziani, Christina Pluhar, Céline Scheen | E♭ Major | 1 | 5B | 98 BPM | ||
Giramo: La Pazza | Pietro Antonio Giramo, Christina Pluhar, Luciana Mancini | E Minor | 1 | 9A | 95 BPM | ||
Queste pungente spine | Benedetto Ferrari, Christina Pluhar | G Major | 1 | 9B | 115 BPM | ||
San Giovanni Battista: Queste lagrime e sospiri | Alessandro Stradella, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 99 BPM | ||
Amor dormiglione | Barbara Strozzi, Constantinople, Suzie LeBlanc | A Major | 3 | 11B | 106 BPM | ||
Traditional / Arr Pluhar: Orfeo Chamán, Act 4: Aparición de Eurídice (Nahual, Eurídice, Orfeo) | Traditional, Christina Pluhar, Vincenzo Capezzuto, Luciana Mancini, Nahuel Pennisi, L'Arpeggiata | C Major | 3 | 8B | 102 BPM | ||
With Wand'ring Steps [The Merchant of Venice] | Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | G Minor | 1 | 6A | 127 BPM | ||
Zamba del Chaguanco (Zamba) | Antonio Nella Castro, Christina Pluhar, Hilda Herrera, Quito Gato | A Minor | 2 | 8A | 73 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quarta (Piacer con due compagni, Corpo, Anima) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Dominique Visse, Stephan Van Dyck, Nicholas Achten, Marco Beasley, Johannette Zomer | G Major | 2 | 9B | 81 BPM |
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