Henri Desmarets, Wanda Procyshyn, Les Violons du Roy, Christopher Jackson's 'Domine ne in furore: X. Exaudivit' came out on January 6, 2017. The duration of Domine ne in furore: X. Exaudivit is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Domine ne in furore: X. Exaudivit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 36 in Desmarest: Quatre, Motets & Lorrains by Henri Desmarets, Studio De Musique Ancienne De Montréal, Les Violons du Roy, Christopher Jackson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Domine ne in furore: X. Exaudivit is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Domine ne in furore: X. Exaudivit by Henri Desmarets, Wanda Procyshyn, Les Violons du Roy, Christopher Jackson is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Circe: V. Bornez ici votre course incertaine | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus, Margaret Carpenter Haigh | C Minor | 0 | 5A | 101 BPM | ||
Circé, Act II Scene 3: Ritournelle. Quoi ! Vous n'avez rien à me dire ? (Circé, Ulysse) | Henri Desmarets, Les Nouveaux Caractères, Sébastien d'Hérin, Véronique Gens, Mathias Vidal | D Minor | 3 | 7A | 173 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
La canzone di Cecilia | Anonymous, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique | C Major | 1 | 8B | 38 BPM | ||
Il Prigionier Superbo: XI. 11 Allegro | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | G Major | 3 | 9B | 120 BPM | ||
Circe: X. Je reçois vôtre hommage | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus, Danielle Reutter-Harrah | G Minor | 1 | 6A | 84 BPM | ||
Susanna HWV 66, Act I: Unmarked | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Te deum, LWV 55: XV. In te, Domine, speravi | Jean-Baptiste Lully, Stephane Fuget, Les Épopées | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM |
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