"Violin Sonata in D Minor, Op. 27, No. 3, "Ballade": Sonata No. 3 in D Minor, "Ballade"" by Eugène Ysaÿe, Leonidas Kavakos was released on December 1, 1999. Since Violin Sonata in D Minor, Op. 27, No. 3, "Ballade": Sonata No. 3 in D Minor, "Ballade" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Ysaye: Six Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe. The song's track number on the album is #9 out of 15 tracks. In terms of popularity, Violin Sonata in D Minor, Op. 27, No. 3, "Ballade": Sonata No. 3 in D Minor, "Ballade" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in D Minor, Op. 27, No. 3, "Ballade": Sonata No. 3 in D Minor, "Ballade" by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Sonata in D Minor, Op. 27, No. 3, "Ballade": Sonata No. 3 in D Minor, "Ballade" being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Paganini variations: Variation 15 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 4 | 8A | 148 BPM | ||
Bolero, Op. 51, No. 3 | Jenő Hubay, David Fruhwirth, Henri Sigfridsson | F Major | 2 | 7B | 74 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
Sonata for Violin Solo No. 2 in A Minor, BWV 1003: 3. Andante | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 100 BPM |
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