"Concerto For Strings & Harpsichord, C-Major, RV 116: II. Andante" by Musici di San Marco, Alberto Lizzio was released on 1990. With Concerto For Strings & Harpsichord, C-Major, RV 116: II. Andante being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Chamber Orchestra Conrad von der Goltz, Musici di San Marco's "Music For The Millions Vol. 19 - Antonio Vivaldi" album is number 17 out of 21. Concerto For Strings & Harpsichord, C-Major, RV 116: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For Strings & Harpsichord, C-Major, RV 116: II. Andante by Musici di San Marco, Alberto Lizzio to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in D Minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Yehudi Menuhin, Alberto Lysy | F Major | 1 | 7B | 95 BPM | ||
Oboe Concerto in D minor S.Z799: 2. Adagio | Alessandro Marcello, Clare Shanks, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 5 | 1A | 117 BPM | ||
Concerto a 5 for Flute, Strings, and Continuo in G: 3. Allegro | Giuseppe Tartini, Severino Gazzelloni, I Musici | G Major | 1 | 9B | 103 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Cello Concerto in B-Flat Major, Wq. 171: I. Allegretto | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | B♭ Major | 1 | 6B | 135 BPM | ||
Coriolan Overture in E Minor, Op. 62 | London Philharmonic Orchestra, Alberto Lizzio | A Major | 2 | 11B | 95 BPM | ||
Sinfonia in B minor, RV 169, "Al Santo Sepolcro": II. Allegro ma poco | Karoly Botvay | B Minor | 0 | 10A | 74 BPM | ||
Overture & Suite in D major for Viola da Gamba & Strings, TWV 55/D6: V. Bourrée | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 137 BPM | ||
Concerto for Trumpet and Orchestra E Flat Major: Finale- Allegro | Alberto Lizzio, Camerata Romana | E♭ Major | 2 | 5B | 140 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM |
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