Tarquinio Merula, Christina Pluhar made "Ciaccona" available on March 22, 2010. The duration of Ciaccona is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ciaccona's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Via Crucis by Christina Pluhar, L'Arpeggiata. The song's track number on the album is #14 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Ciaccona is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Ciaccona by Tarquinio Merula, Christina Pluhar has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Ciaccona being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ziani / Arr. Pluhar: Dormite o pupille | Pietro Andrea Ziani, Christina Pluhar, Valer Sabadus | E Minor | 1 | 9A | 175 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Lu Gattu la sonava la zampogna | Lucilla Galeazzi, Traditional, Valentino Paparello, L'Arpeggiata, Christina Pluhar, Marco Beasley | A Minor | 0 | 8A | 133 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Ballet des fous et des estropiés de la cervelle: II. Entrée des demy-fous | Anonymous, Le Poème Harmonique, Vincent Dumestre | G Minor | 3 | 6A | 134 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Antidotum tarantulae | Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley | A Minor | 1 | 8A | 111 BPM | ||
Rossi: "La bella più bella il cor mi feri" | Luigi Rossi, Christina Pluhar, Véronique Gens | G Major | 1 | 9B | 154 BPM | ||
Torna deh torna | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | G Minor | 0 | 6A | 81 BPM |
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