Johann Sebastian Bach, Ivor Bolton made "Concerto No. 10 in C Minor, BWV 981 (after B Marcello Op. 1 No. 2): 2. Vivace" available on June 17, 2022. With Concerto No. 10 in C Minor, BWV 981 (after B Marcello Op. 1 No. 2): 2. Vivace being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 213 out of 350 in Bach: Classical Road Trip by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Concerto No. 10 in C Minor, BWV 981 (after B Marcello Op. 1 No. 2): 2. Vivace is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concerto No. 10 in C Minor, BWV 981 (after B Marcello Op. 1 No. 2): 2. Vivace by Johann Sebastian Bach, Ivor Bolton is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto for Harpsichord, 2 Recorders, Strings, and Continuo No. 6 in F, BWV 1057: 1. -- | Johann Sebastian Bach, András Schiff, Thierry Fischer, Catherine Touraire-Stutz, Chamber Orchestra of Europe | G Minor | 3 | 6A | 120 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio - Transcr. for organ by Jörg Halubek | Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco | F♯ Minor | 1 | 11A | 80 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM |
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