"V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)" by Gerald Cohen, Kathryn Palange, Gregory Wood, David Abrams, Alice Lee, Barbara Tagg was released on January 1, 2007. The duration of V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank) is about 3 minutes long, at 3:20. Based on our data, "V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gerald Cohen, Various Artists's "Gerald Cohen: Generations" album is number 16 out of 16. On top of that, United States appears to be the country where this track was created. Based on our statistics, V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of V'higad'ta L'vincha: VI. L'fichach (Therefore we should thank) by Gerald Cohen, Kathryn Palange, Gregory Wood, David Abrams, Alice Lee, Barbara Tagg to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Su le sponde del Tebro: Recitative: Mesto, stanco e spirante - Arioso: Infelici miei lumi | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | A Minor | 0 | 8A | 110 BPM | ||
Gandrille: Stabat Mater | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Resignation | Florence Beatrice Price, University of Arkansas Schola Cantorum, Dr. Stephen Caldwell | F Minor | 1 | 4A | 94 BPM | ||
Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
An Easter Sequence | Kenneth Leighton, Salisbury Cathedral Boys & Girls Choir, Harriet Colley, Simon Lole, Sofia Larsson, David Halls | G Major | 1 | 9B | 67 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
Close Distancing | Stacey Philipps, Oregon Repertory Singers, Ethan Sperry | G Major | 3 | 9B | 64 BPM |
Section: 0.5277514457702637
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