"Gymnopédie No. 1" by Erik Satie, Katya Kramer-Lapin was released on January 18, 2023. The duration of Gymnopédie No. 1 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Gymnopédie No. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Satie, Debussy, Beethoven, Bach, Grieg, Chopin, Mozart, Rachmaninoff, Bryukhno, Fauré, Schumann, Nazaykinskaya, Glass: Piano Classical Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Estonia. In terms of popularity, Gymnopédie No. 1 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gymnopédie No. 1 by Erik Satie, Katya Kramer-Lapin having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Gymnopedie No. 3 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | A Minor | 0 | 8A | 74 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM | ||
Gymnopédie No. 1 | Erik Satie, Philippe Entremont | G Major | 0 | 9B | 73 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Gymnopedie No. 1 | Craig Leon, Erik Satie, Natasha Marsh, London Symphony Orchestra | F Major | 1 | 7B | 72 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Le Carnaval des Animaux, R. 125: 13. The Swan (Arr. Hodge for Cello, Harp & Ensemble) | Camille Saint-Saëns, Sheku Kanneh-Mason, Katherine Thomas, CBSO Cellos | G Major | 1 | 9B | 69 BPM |
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