Heitor Villa-Lobos, Benjamin Bunch's 'Modinha' came out on January 1, 2009. With Modinha being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos and friends: Benjamin Bunch by Benjamin Bunch. The song's track number on the album is #9 out of 22 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Modinha is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Modinha by Heitor Villa-Lobos, Benjamin Bunch has a tempo of 235 beats per a minute, the tempo markings of this song would be Prestissimo (even faster than presto). With Modinha being at 235 BPM, the half-time would be 118 BPM with a double-time of 470 BPM.The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Variations on "Nume perdonami, se in tale istante", Op. 102 | Mauro Giuliani, Marco Tamayo | D Major | 1 | 10B | 113 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Bachianas Brasileiras No. 5, W389: I. Ária (Arr. By Asya Fateyeva) | Heitor Villa-Lobos, Asya Fateyeva, Ruben Gazarian, Württembergisches Kammerorchester Heilbronn | D Minor | 2 | 7A | 172 BPM | ||
Romanian Folk Dances, Sz. 56 (Arr. A. Levering for Flute & Guitar): No. 1, Joc cu bâta | Béla Bartók, Irene Kalisvaart, Britta Jacobs | A Minor | 1 | 8A | 95 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Piazzolla: Histoire du tango: I. Bordel 1900 | Astor Piazzolla, Emmanuel Pahud, Christian Rivet | A Major | 1 | 11B | 113 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM |
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