Erik Satie, Alexandre Tharaud's 'Heures séculaires et instantanées: Heures séculaires et instantanées: II. Crépuscule matinal (de midi)' came out on January 20, 2009. With Heures séculaires et instantanées: Heures séculaires et instantanées: II. Crépuscule matinal (de midi) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #38. In terms of popularity, Heures séculaires et instantanées: Heures séculaires et instantanées: II. Crépuscule matinal (de midi) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Heures séculaires et instantanées: Heures séculaires et instantanées: II. Crépuscule matinal (de midi) by Erik Satie, Alexandre Tharaud having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. VII | Clara Schumann, Benjamin Grosvenor | A♭ Minor | 0 | 1A | 64 BPM | ||
Sonata in D Major, Kk.430 | Domenico Scarlatti, Alexandre Tharaud | D Major | 2 | 10B | 200 BPM | ||
Dolly Suite, Op. 56: II. Mi-a-ou. Allegro vivo | Gabriel Fauré, Robert Casadesus, Gaby Casadesus | E Minor | 1 | 9A | 129 BPM | ||
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
Années de pèlerinage II, S. 161: VI. Sonetto 123 del Petrarca | Franz Liszt, Lazar Berman | D♭ Major | 3 | 3B | 132 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Waldszenen, Op. 82: No. 6 Herberge | Robert Schumann, Maria João Pires | E Major | 0 | 12B | 74 BPM |
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