"Floresta do Amazonas, W551: No. 4 Melodia Sentimental" by Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano was released on August 3, 2018. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Villa-Lobos: Floresta do Amazonas, W551, 4. Melodia Sentimental only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. Floresta do Amazonas, W551: No. 4 Melodia Sentimental is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Floresta do Amazonas, W551: No. 4 Melodia Sentimental by Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Floresta do Amazonas, W551: No. 4 Melodia Sentimental being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Flocks a Mile Wide | Christopher Tin, Royal Philharmonic Orchestra | G Major | 1 | 9B | 71 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Rossini: Petite messe solennelle, Part 1: I. Kyrie - Kyrie eleison (Chorus) | Gioachino Rossini, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 0 | 12B | 79 BPM | ||
irreplaceable | Chad Lawson, Royal Philharmonic Orchestra, James Southall | E Minor | 0 | 9A | 65 BPM | ||
Delibes: Les Filles de Cadix | Léo Delibes, Fatma Said | F♯ Minor | 1 | 11A | 87 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM |
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