LENGTH
3:41
RELEASE DATE
June 1, 2017
TIME SIGNATURE
4
LOUDNESS
-4.381 dB
POPULARITY
Audio information that is featured on Let Down by Eighteenth Hour.
Acousticness
Energy
Liveness
Speechiness
Danceability
Instrumentalness
Loudness
Valence
Find songs that harmonically matches to Let Down by Eighteenth Hour. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Face to Face | Talk In Code | E Major | 9 | 12B | 144 | ||
Whish I Was Holding You | Stonesilk | E Major | 7 | 12B | 104 | ||
Failure | Broke City | E Major | 9 | 12B | 171 | ||
Again | Lynden | E Major | 3 | 12B | 70 | ||
Beautiful Goodbye | Eighteenth Hour | E Major | 7 | 12B | 173 | ||
Without A Trace | Talk In Code | E Major | 7 | 12B | 124 | ||
Lipstick | Five A.M. | E Major | 6 | 12B | 94 | ||
That's All I Ask For | Corey Palmer | E Major | 6 | 12B | 104 | ||
Spend the Night | Eighteenth Hour | E Major | 6 | 12B | 160 | ||
Lillian | Five A.M. | E Major | 6 | 12B | 82 | ||
Make It Happen | Talk In Code | E Major | 9 | 12B | 144 | ||
Unnoticed | Eighteenth Hour | E Major | 7 | 12B | 91 | ||
Hit the Ground | Five A.M. | E Major | 5 | 12B | 158 | ||
Trainwreck No. 1 | Eighteenth Hour | E Major | 7 | 12B | 101 | ||
Start All Over Again | Five A.M. | E Major | 8 | 12B | 93 | ||
Be Still | Five A.M. | E Major | 6 | 12B | 99 | ||
Great Escape | Eighteenth Hour | E Major | 7 | 12B | 135 | ||
I Only Want You More | Five A.M. | E Major | 8 | 12B | 78 | ||
Every Now And Then | Five A.M. | E Major | 9 | 12B | 152 | ||
Let's Go | Five A.M. | E Major | 8 | 12B | 145 | ||
A Perfect Distraction | Ghost Of Gloria | C Major | 10 | 8B | 107 | ||
Keep Safe | Talk In Code | C Major | 8 | 8B | 116 | ||
For Now | Trip9 | C Major | 7 | 8B | 145 | ||
Falling Down | Lynden | C Major | 5 | 8B | 93 | ||
One | Five A.M. | C Major | 6 | 8B | 102 | ||
Damage Done | Eighteenth Hour | C Major | 9 | 8B | 91 | ||
Oxygen | Talk In Code | C Major | 7 | 8B | 90 | ||
REM | Acronycal | C Major | 8 | 8B | 110 | ||
Dark Side | Ocean Street | C Major | 7 | 8B | 79 | ||
Fifteen Steps | Bottle of Justus | C Major | 8 | 8B | 170 | ||
Still In Love With You - Video Remix | Five A.M. | C Major | 8 | 8B | 95 | ||
Secret | Talk In Code | C Major | 9 | 8B | 115 | ||
Red And Black Affair | Jaded Son | C Major | 8 | 8B | 140 | ||
Falling Down - Acoustic Version | Lynden | C Major | 3 | 8B | 93 | ||
Hold Me Up | Stonesilk | C Major | 4 | 8B | 103 | ||
Raise The Sun | Five A.M. | C Major | 9 | 8B | 116 | ||
So It Goes | Talk In Code | C Major | 8 | 8B | 120 | ||
Hold Me Up (VIP) | Stonesilk | C Major | 5 | 8B | 103 | ||
Back Together | Lynden | C Major | 5 | 8B | 99 | ||
Still In Love With You | Five A.M. | C Major | 8 | 8B | 95 | ||
Disguise | Talk In Code | C Major | 8 | 8B | 120 |
This song is track #5 in In the Meantime... by Eighteenth Hour, which has a total of 8 tracks. The duration of this track is 3:41 and was released on June 1, 2017. As of now, this track is currently not as popular as other songs out there. Let Down doesn't provide as much energy as other songs but, this track can still be danceable to some people.
Let Down has a BPM of 89. Since this track has a tempo of 89, the tempo markings of this song would be Andante (at a walking pace). Based on the tempo, this track could possibly be a great song to play while you are doing yoga or pilates. Overall, we believe that this song has a slow tempo.
The key of Let Down is E Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.