"Second Lesson: Isaiah IX" by Choir of King's College, Cambridge was released on December 31, 1899. With Second Lesson: Isaiah IX being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 20 in A Festival Of Lessons And Carols by Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Second Lesson: Isaiah IX's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Second Lesson: Isaiah IX by Choir of King's College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Angel-Voices Ever Singing (Angel Voices) | Edwin George Monk, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 86 BPM | ||
Greater Love Hath No Man | John Ireland, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Samuel Hodson, Henry Brearley | D Minor | 1 | 7A | 67 BPM | ||
Rachmaninov: Vespers, Op. 37: XIII. Dnes' spaseniye | Sergei Rachmaninoff, Choir of King's College, Cambridge, Stephen Cleobury | F Major | 1 | 7B | 174 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM | ||
Magnificat (Formerly Attrib. Pergolesi): Deposuit Potentes | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | E♭ Major | 1 | 5B | 97 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM |
Section: 0.6764006614685059
End: 0.6813006401062012