"War And Peace, Op. 91: Natasha's And Andrei's Valse (Transcription For 2 Pianos By Sergei Babayan)" by Sergei Prokofiev, Martha Argerich, Sergei Babayan was released on March 23, 2018. With this song being about 5 minutes long, at 4:54, "War And Peace, Op. 91: Natasha's And Andrei's Valse (Transcription For 2 Pianos By Sergei Babayan)" by Sergei Prokofiev, Martha Argerich, Sergei Babayan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Prokofiev For Two". In this album, this song's track order is #18. War And Peace, Op. 91: Natasha's And Andrei's Valse (Transcription For 2 Pianos By Sergei Babayan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With War And Peace, Op. 91: Natasha's And Andrei's Valse (Transcription For 2 Pianos By Sergei Babayan) by Sergei Prokofiev, Martha Argerich, Sergei Babayan having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Live) | Claude Debussy, Martha Argerich, Cristina Marton | E Major | 1 | 12B | 128 BPM | ||
String Quartet No. 1 in B Minor, Op. 50: I. Allegro | Sergei Prokofiev, Aurora String Quartet | G Major | 1 | 9B | 169 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Études d‘exécution transcendante, S. 139: V. Feux follets | Franz Liszt, Kirill Gerstein | C Minor | 1 | 5A | 139 BPM | ||
Rapsodie espagnole, M.54: 4. Feria: Assez vif | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 2 | 8B | 121 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM |
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