Bamberg Symphony, Hanspeter Gmür, Otto Büchner made "Violin Concerto No.1 in A minor, BWV 1041: III. Allegro" available on November 27, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 1-2-3 - A Bach Experience, so we believe that "Violin Concerto No.1 in A minor, BWV 1041: III. Allegro" is a single. Violin Concerto No.1 in A minor, BWV 1041: III. Allegro is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Violin Concerto No.1 in A minor, BWV 1041: III. Allegro by Bamberg Symphony, Hanspeter Gmür, Otto Büchner is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheus, S. 98 "Symphonic Poem No. 4" | Franz Liszt, Bamberg Symphony, Otmar Suitner | D♭ Major | 2 | 3B | 100 BPM | ||
Symphony No. 1 in E-Flat Major, Op. 28: II. Intermezzo. Andante con moto | Max Bruch, Bamberg Symphony, Robert Trevino | E Major | 2 | 12B | 115 BPM | ||
Suite in A Major, Op. 98b, B. 190, "American": I. Andante con moto | Antonín Dvořák, Bamberg Symphony, Robin Ticciati | A Major | 0 | 11B | 95 BPM | ||
Weihegesang, WoO V/6 | Max Reger, Ursula Kunz, Bamberg Symphony, Horst Stein, Chor der Bamberger Symphoniker | A Major | 0 | 11B | 172 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Symphony No. 2 in F-Sharp Minor, Op. 16: I. Andante maestoso | Alexander Glazunov, Bamberg Symphony, Neeme Järvi | F♯ Minor | 1 | 11A | 126 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | G Minor | 0 | 6A | 95 BPM | ||
Le Tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | F Major | 1 | 7B | 123 BPM |
Section: 0.7890031337738037
End: 0.7930707931518555