Giovanni Gabrieli, Robert Paul Block, Chicago Symphony Orchestra, brass section's 'Canzoni et sonate: Canzon VII (arr. R.P. Block)' came out on September 6, 2011. The duration of Canzoni et sonate: Canzon VII (arr. R.P. Block) is about 3 minutes long, at 3:09. Based on our data, "Canzoni et sonate: Canzon VII (arr. R.P. Block)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 15 in CSO Resound - Chicago Symphony Orchestra Brass Live by Chicago Symphony Orchestra, brass section, Jay Friedman, Mark Ridenour, Michael Mulcahy, Dale Clevenger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Canzoni et sonate: Canzon VII (arr. R.P. Block) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canzoni et sonate: Canzon VII (arr. R.P. Block) by Giovanni Gabrieli, Robert Paul Block, Chicago Symphony Orchestra, brass section is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 6 No. 1: IV. Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | C Major | 1 | 8B | 72 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
The silver swan | Orlando Gibbons, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Itene, o miei sospiri | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 2 | 8B | 131 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Elias, Op. 70, MWV A25: Elijah, Op. 70, Part II: Hebe deine Augen auf zu den Bergen | Felix Mendelssohn, Estonian Philharmonic Chamber Choir, Daniel Reuss | D Major | 1 | 10B | 83 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Canzoni et sonate: Canzon XII (arr. E. Crees) | Giovanni Gabrieli, Eric Crees, Christopher Martin, John Hagstrom, Chicago Symphony Orchestra, brass section | C Major | 2 | 8B | 81 BPM | ||
Suite: VIII. Bleyers Armbarde No. 21 | Thomas Simpson, The Prague Brass Soloists | G Major | 1 | 9B | 83 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM |
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