"The Prison: No. 9, The Deliverance. The Prisoner Awakes" by Ethel Smyth, Experiential Orchestra, James Blachly was released on August 7, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Smyth: The Prison". In this album, this song's track order is #9. In terms of popularity, The Prison: No. 9, The Deliverance. The Prisoner Awakes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Prison: No. 9, The Deliverance. The Prisoner Awakes by Ethel Smyth, Experiential Orchestra, James Blachly having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Voix intimes, Op. 45: No. 2, Espoir | Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur | A♭ Major | 0 | 4B | 169 BPM | ||
Coriolan, Op. 62 | Ludwig van Beethoven, Budapest Festival Orchestra, Iván Fischer | F Minor | 2 | 4A | 85 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
String Quartet No. 2 in F Major, Op. 41/2: I. Allegro vivace | Robert Schumann, Emerson String Quartet | F Major | 1 | 7B | 101 BPM | ||
Clarinet Trio in E-Flat Major, Op. 44: III. Minuetto. Allegro | Louise Farrenc, Dieter Klöcker, Peter Horr, Werner Genuit | E♭ Major | 1 | 5B | 129 BPM | ||
Rhapsody-Concerto, H. 337: I. Moderato | Bohuslav Martinů, Maxim Rysanov, BBC Symphony Orchestra, Jiří Bělohlávek | B♭ Major | 1 | 6B | 141 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM |
Section: 0.729820728302002
End: 0.7330515384674072