Johann Sebastian Bach, Wilbert Hazelzet, Henk Bouman, Jaap Ter Linden's 'Sonata For Flute Or Violin No.6 In E, BWV 1035: 1. Adagio ma non tanto' came out on January 8, 2022. The duration of Sonata For Flute Or Violin No.6 In E, BWV 1035: 1. Adagio ma non tanto is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sonata For Flute Or Violin No.6 In E, BWV 1035: 1. Adagio ma non tanto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 85 in the song's album "Start 2022 with Bach". In this album, this song's track order is #67. Based on our statistics, Sonata For Flute Or Violin No.6 In E, BWV 1035: 1. Adagio ma non tanto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata For Flute Or Violin No.6 In E, BWV 1035: 1. Adagio ma non tanto by Johann Sebastian Bach, Wilbert Hazelzet, Henk Bouman, Jaap Ter Linden having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 68 "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 78 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 1 in D minor, BWV 1063: 1. (Allegro) | Johann Sebastian Bach, Christoph Eschenbach, Gerhard Oppitz, Justus Frantz, Hamburger Philharmoniker | D Minor | 2 | 7A | 109 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Musical Offering, BWV 1079, Regis issu cantio et reliqua canonica arte: II. Ricercar à 6 | Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Maude Gratton, Marc Hantaï, François Fernandez | F♯ Minor | 3 | 11A | 62 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM |
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