"Les chants de la mi-mort: L'homme chauve et l'homme jaune" by Alberto Savinio, Bruno Canino was released on January 2, 1993. With Les chants de la mi-mort: L'homme chauve et l'homme jaune being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Savinio: Les Chants de la mi-mort & Album 1914". In this album, this song's track order is #1. In terms of popularity, Les chants de la mi-mort: L'homme chauve et l'homme jaune is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Les chants de la mi-mort: L'homme chauve et l'homme jaune by Alberto Savinio, Bruno Canino having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Étude No. 13 "The Devil's Staircase" | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Chamber Symphony No. 4: I. Introduction | Douglas Anderson, di.vi.sion Piano Trio | G Major | 1 | 9B | 98 BPM | ||
Quiet Nights, Quiet Stars | Spirit LoFi | A Major | 0 | 11B | 73 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: VIII. Des Helden Vollendung | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | C Minor | 3 | 5A | 76 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Prestissimo (1) | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Suite "Les chants de la Mi-Mort", Scènes dramatiques pour Piano: No. 5, Le roi affolé - Le Phare | Alberto Savinio, Steffen Schleiermacher | E Major | 1 | 12B | 93 BPM | ||
Album 1914: Le fanal d'epidermide | Alberto Savinio, Alberto Jona, Bruno Canino, Luisa Castellani | D Major | 0 | 10B | 99 BPM | ||
Homenaje "Pour le tombeau de Claude Debussy" (Version for Piano) | Manuel de Falla, Garrick Ohlsson | F Major | 0 | 7B | 76 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM |
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