"Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. The duration of Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in G Minor, Op. 9 No. 8: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 122 BPM | ||
Telemann: Flute Concerto in G Major, TWV 51:G2: IV. Allegro | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | D Major | 0 | 10B | 99 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 5. (Vivace) | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 103 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 4 | 8B | 124 BPM | ||
Bach, JS: Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Trevor Pinnock | C Major | 3 | 8B | 115 BPM | ||
Concerto 6 in A Major, Op. 7: III. Giga allegro | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 3 | 4B | 123 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM |
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