"Violin Concerto - 'To the Memory of an Angel': Violin Concerto - 'To the Memory of an Angel': II. Allegro - Adagio" by Alban Berg, Isabelle Faust, Claudio Abbado, Orchestra Mozart was released on January 1, 2012. Violin Concerto - 'To the Memory of an Angel': Violin Concerto - 'To the Memory of an Angel': II. Allegro - Adagio appears to be safe for all ages as it is not explicit. The song is number 2 out of 5 in Berg & Beethoven: Violin Concertos by Isabelle Faust, Orchestra Mozart, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Violin Concerto - 'To the Memory of an Angel': Violin Concerto - 'To the Memory of an Angel': II. Allegro - Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto - 'To the Memory of an Angel': Violin Concerto - 'To the Memory of an Angel': II. Allegro - Adagio by Alban Berg, Isabelle Faust, Claudio Abbado, Orchestra Mozart is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Gesänge, Op. 2: II. Schlafend trägt man mich | Alban Berg, Matthias Goerne, Daniil Trifonov | F♯ Major | 2 | 2B | 85 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Three Japanese Lyrics: III. Tsaraiuki | Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez | D Major | 1 | 10B | 94 BPM | ||
Piano Concerto in C Major, Op. 39: II. Pezzo giocoso. Vivacemente, ma senza fretta - Live | Ferruccio Busoni, Boston Symphony Orchestra, Sakari Oramo, Kirill Gerstein | F♯ Minor | 2 | 11A | 100 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Symphony in C: I. Moderato alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Major | 2 | 9B | 85 BPM | ||
D'un soir triste | Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer | C Major | 1 | 8B | 84 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (Original Version): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Gürzenich Orchester Köln, François-Xavier Roth | C Major | 0 | 8B | 87 BPM | ||
Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM |
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